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I Choose Noise

by Hybrid

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Dogstar 08:01
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Falling Down 06:51
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Choke 06:20
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about

Hybrid again push their distinctive cutting-edge soundscapes to new depths, exploring untapped avenues and revisiting some of the trademark sounds that have made them so revered in electronic music. Again packing an arsenal of collaborators, Judie Tzuke, Peter Hook of New Order, Kirsty Hawkshaw of Opus III, Perry Farrell of Jane's Addiction and John Graham, and backed by the Seattle Session Orchestra and score composer Harry Gregson-Williams.

credits

released September 4, 2006

SECRET CIRCLES
Written by Mike Truman, Chris Healings & Harry Gregson Williams.
Published by Copyright Control.
Strings performed by the Northwest Sinfonia.
Orchestrated by Harry Gregson Williams and Hallie Cauthery.

DOGSTAR
Written by Mike Truman, Chris Healings & Perry Farrell.
Published by Copyright Control.
Vocals and lyrics by Perry Farrell.
Guitars by Peter Distefano.
Bass by Peter Hook.
Strings performed by the Northwest Sinfonia.
Orchestrated by Harry Gregson Williams and Stephen Barton.

I CHOOSE NOISE
Written by Mike Truman & Chris Healings.
Published by Copyright Control.
Strings performed by the Northwest Sinfonia.
Orchestrated by Harry Gregson Williams and Stephen Barton.

FALLING DOWN
Written by Mike Truman, Judie Tzuke & Harry Gregson Williams.
Published by Copyright Control.
Vocals and lyrics by Judy Tzuke.
Bass by Tim Hutton.
Guitars by Mike Truman.
Strings performed by the Northwest Sinfonia.
Orchestrated by Harry Gregson Williams and Hallie Cauthery.

LAST MAN STANDING
Written by Mike Truman, Chris Healings & Martin Tillman.
Published by Copyright Control.
Electric Cello by Martin Tillman.

HOOLIGAN SPIRIT
Written by Mike Truman & Chris Healings.
Published by Copyright Control.

CHOKE
Written by Mike Truman & John Graham.
Vocals and lyrics by John Graham.
Published by Copyright Control.

KEEP IT IN THE FAMILY
Written by Mike Truman & Harry Gregson Williams.
Published by Copyright Control.
Piano by Stephen Barton.
Electric Cello by Martin Tillman.
Strings performed by the Northwest Sinfonia.
Orchestrated by Harry Gregson Williams and Stephen Barton.

UNTIL TOMORROW
Written by Mike Truman, John Graham, Peter Disefano & Tom Greenwood.
Published by Copyright Control.
Vocals and lyrics by John Graham.
Twelve string guitar by Peter Distphano.
Electric guitar by Tom Greenwood.
Acoustic guitar by Adam Taylor.
Drums by Tim Hutton.

DREAM STALKER
Written by Mike Truman & Chris Healings.
Published by Copyright Control.
Speach by Tony Scott.
Vocal effects by Perry Farrell.
Bass by Peter Hook.

JUST FOR TODAY
Written by Mike Truman, Chris Healings, Harry Gregson Williams & Kirsty Hawkshaw.
Published by Copyright Control / Out Of Phase.
Vocals by Kirsty Hawkshaw.
Guitars by Bob Mellor.
Strings performed by the Northwest Sinfonia.
Orchestrated by Harry Gregson Williams and Hallie Cauthery.

EVERYTHING IS BRAND NEW
Written by Mike Truman & Chris Healings.
Published by Copyright Control.


Produced by Hybrid.
Engineered and mixed by Mike Truman.
Orchestra conducted by Harry Gregson Williams.
Orchestra recorded by Mal Luker.
Ochestration assited by Stephen Barton and Hallie Cauthery.
Music production supervised by Gretchen O'Neal.
Music copyist Robert Puff.
Orchestral parts performed by The Northwest Sinfonia at Bastyr University, Seatle.
Session contractor David Sabee and Simon James.
Protools engineer Kory Kruckenberg.
Second engineers Josh Evans, John Winters.
Stage manager Jon Schluckbier.
LA recording sessions at Wavecrest Studios assisted by Toby Chu, Meri Gavin, Costa Kotselas and Ray Holmes.
Swansea recording sessions at Electrotek Studios assisted by Bob Mellor.
London recording sessions at Soho Studios assisted by Soho Joe.

(P) & (C) 2006 Distinctive Records

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about

Hybrid UK

The sweetest musical spots are always found deep between the contrasts. Dark and light, orchestral and digital, dramatic and delicate, raw and polished, sadness and bliss. Searched for by many, discovered by few, conquered by Hybrid; it’s a creative place where any story can be told. From studio to stadiums, dancefloor bangers to symphonic film scores, the clue’s been in their name since day one. ... more

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